I wouldn’t have visited the museum at the Watervliet Arsenal if my great-great-grandfather Martin Haigney hadn’t served there.
My interest in armaments and military history is mild, to put it mildly. And I wasn’t sure how useful the visit would be in giving me specific insights about my ancestor’s life there. Also, it was pouring chilly rain as I set out.
Fortunately, I didn’t talk myself into a detour to a nice warm Starbucks.
Housed in the historic Iron Building, the Watervliet Arsenal museum includes a wealth of artifacts, displayed in the context of the lives of Arsenal workers and residents. (Fun fact: The poet Stephen Vincent Benet was a third-generation resident. His grandfather and father were both commanders there, and the arsenal’s Benet Laboratory is named in their honor.)
Watervliet has operated since 1813, but since Martin’s Army service occurred between 1854 and 1867, I concentrated on the Civil War-era displays. Interestingly, Watervliet did not manufacture the actual cannon guns in that conflict. It made everything else, such as the carriages they sat upon, the shells they fired, and the ammunition cases that held the cannonballs.
Behind a metal door at one end of the exhibit hall is a huge, echoing room that feels off-limits to visitors, but is actually a particularly cool exhibit area. On one side is a wealth of rare antique cannons and weaponry. On the other is an array of metalworking machinery, arranged to give a sense of what an arsenal shop floor might have looked like back in Martin’s day.
At peak capacity during the Civil War, the arsenal had 2,000 employees, one-quarter of whom were children. At first only boys were hired, but when the arsenal began manufacturing cartridges for the Sharps carbine in 1864, it was discovered that the smaller hands of little girls were better suited to rolling the linen cylinders.
“I was nine years old,” recalled a child worker many years later. “All of us little girls sat on a long bench, our feet not quite touching the floor, and we filled cartridges all day long … I worked from seven in the morning until six at night.”
The curator, a helpful and erudite fellow called Scott, clarified the term “artificer,” an enigmatic job description in my ancestor’s Civil War pension file. It’s an elegant way of saying “machinist”; however, Martin’s particular machines and skills are lost in the mists of time.
Since my visit coincided with the last of the day’s visiting hours, Scott was able to show me the barracks where Martin would have lived as a soldier. (In the 1860 census, Martin has two addresses – one at the arsenal, and one at a house in the town of West Troy with his wife Mary and their oldest child Joseph, my great-grandfather.)
It was not a day (or a setting) for poring over records. But thanks to the museum and the kindness of its curator, I had a grand time walking in Martin’s footsteps for an afternoon.