If you have a vintage document with a Staten Island address, and Googling it gets you nowhere, you should visit this site:
This invaluable tool comes courtesy of the Museum of the City of New York and the Richmond County Savings Foundation, and it uses the overlapping-image technique to perfection.
From the home page, click “Explore the Maps.” You’ll open a window whereupon a map of present-day Staten Island is on your left, and a drop-down menu of historic maps is on the right.
Zoom in on the area of present-day Staten Island that interests you. Then, on the drop-down menu, click on a vintage map. Your map image will change to show you how the present-day area was drawn on the historic map.
One important caveat: Great as the site is, you must do your homework to get the most out of it. For example, I recently used it to gain insight into an address on a 1920 death certificate: 12 Ocean Avenue. There is an Ocean Avenue in present-day Staten Island, not far from Fort Wadsworth and the Verrazano Narrows Bridge. That could have been the place I sought, except that the full address on the death certificate was 12 Ocean Avenue, Oakwood Beach. The 1917 and 1922 maps at Mapping Staten Island confirmed that this 1920 death occurred in a different neighborhood altogether from present-day Ocean Avenue.
(Note: Oakwood Beach took a devastating blow from Superstorm Sandy last year, and the road to recovery continues to be a long one. This article is a great look at the courage and resourcefulness of neighborhood residents in the face of the challenge.)
Resource Spotlight is a continuing look at useful resources I’ve bookmarked over the years.
I know who and where I was – a tired three-year-old, napping – but only because I’ve been told.
My first conscious memory of the events of 22 November 1963 actually dates from November 1964, and is another masterpiece of toddler insularity. I was outraged that my normal fix of cartoons-cum-Romper Room was being preempted by wall-to-wall first-anniversary coverage of an event featuring an odd, wheeled vehicle bearing a large flag-draped box.
My mother’s description – That’s a caisson – added to my vocabulary, but not my understanding. Romper Room was gone, and the box was in its place. Why was this so important? Why did everyone in the wavering black-and-white images look so serious? And why did my mother look like this had just happened, while explaining it had actually happened a year ago? (Also: Have I gotten it right; could there really have been such a television program in the cartoons time slot?)
No, I can’t really write about witnessing a day when the world shook and changed. It happened when I was napping, and I grew up in its wake. I was a Catholic schoolgirl in a town with a lot of Catholics. Everybody, especially the mothers, had loved Jacqueline Bouvier Kennedy, revered her, really. At age six I modeled a little round white hat on the crown of my dark pageboy and a friend of my mother’s gasped and said, “Oh! You look just like Jackie!” By that point I knew without being told, without still knowing quite why, that this was a rare honor.
For years my parents kept a box full of memorabilia from that epochal weekend – the issues of Life magazine, the New York Daily News, of our New Jersey paper, the Plainfield Courier-News; shiny supplements filled with photos of the Dallas streets, the swearing-in on Air Force One, the streams of black-clad mourners in Washington. In a box on her bureau, the same box where she kept her collection of funeral cards from all the wakes, my mother kept a little pamphlet printed with an elegy on JFK, written by a student at a Catholic high school. You could tell that while it was a national death, it was somehow also a personal death. He was the first Roman Catholic president and he was killed. The teachers at parochial school told us that, not having to add: he was ours.
I was growing up in an age of assassinations, of which JFK’s was only the first: almost a prelude, felt rather than remembered, through the photos in the dog-eared magazines and the thoughtful looks on the grownups’ faces.
There are a lot of JFKs one can discuss: the historical JFK and the conspiratorial JFK and the philandering JFK, to name only a few. But here I talk about history that is personal, and in that context I find myself dwelling upon that cultural JFK: the grainy image of the Irish Catholic candidate waving to the crowd, the flashing smiles, the brief moment. The member of the tribe who gained the presidency, only to die cruelly young. The minor-chord leitmotif playing in the background of my childhood.
It is not often that I say this about a book that is 400-plus pages with something like a third of them appendices and notes, but GO READ THIS RIGHT AWAY.
But if you are satisfied with my two cents: In Book of Ages (Knopf, $17.68 hardcover at Amazon), Jill Lepore manages to fascinate you and break your heart simultaneously, in ways you just don’t expect, even from a National Book Award finalist.
It’s not just that she makes you laugh at Ben Franklin’s jokes all over again, although that’s pretty impressive.
It’s not just her imaginative yet meticulous restoration of his sister’s obscure and far less fortunate life.
And it’s not just the way the teasing, life-affirming friendship between “Benny and Jenny” glows brightly throughout.
It’s how, without being heavy-handed or pedantic about her story, by simply taking us along on the quest for it, Lepore imbues this narrative with the quiet courage of ordinary lives that were unremarked, unrecorded, but still, somehow, matter.
Any of us piecing together fragmentary evidence of never-famous people we’ll never truly know must surely understand the pull on the heart exerted by Jane Franklin’s laboriously handmade “Book of Ages,” wherein she recorded the births of 12 children, and eventually, the deaths of 11 of them.
Upon finishing Book of Ages, I was struck by the sentiment that often occurs after absorbing cryptic, incomplete references to ancestors whose full stories will likely never be retrievable — the only thought there sometimes can be, really:
Back in 2010, I expounded upon a long-ago Brooklyn custom in which kids went door-to-door on Thanksgiving, asking for treats. As I wrote then, I once suspected my Greenpoint-raised mom of making this up purely to mess with our childish minds.
But the custom was quite real, as readers have since noted. “Anything f’Thanksgiving” has generated some lovely comments. As they show, not only did this custom extend beyond the borders of Greenpoint, it remains a bright memory in the minds of former city children.
Most recently, Lola from Queens writes:
On Thanksgiving morning, the children dressed up in costumes to honor the people that they admired. No Hobos Allowed! My younger brother dressed up as a policeman. I dressed up as a fine lady, like my mother, so did my twin sister. One would say “Anything for Thanksgiving”? as you rang the door bell.
And here’s Judy from the Bronx:
Anything for Thanksgivin. Absolutely, We lived on 162nd Street in the Bronx in a 10 story building and we would dress up and go into the alleys and beg. People would throw pennies out of their windows. Some would wrap the pennies in bits of newspaper so they didn’t bounce all over the place. We also, filled socks with flour and tried to hit each other.
(Hey, Judy, a belated thanks for remembering the flour-filled socks. My mother HATED those as much as she liked the dressing up.)
Speaking of which, John from Greenpoint also recalls the socks, but as a Halloween high point:
We would fill womens’ old stockings with flour and hit each other with them..Lots of fun.
I think I’ll move on, so as not to give the youth of today any bright ideas. The point is, John and my mom might have differed on the socks part, but not on the fun.
Another, larger point to be made about Anything f’Thanksgiving:
For a lot of people, the terms “city” and “folk tradition” are incompatible. What an error this is, as the shared memories demonstrate so strongly. From the bottom of my heart, I thank all of you who reached out to explain and expand upon this custom and where it took place. What a beautiful example of the lost flavors and colors of city life, long ago.
[UPDATE: Helen in her comment below asks: Did kids dress up on both Halloween and Thanksgiving? My short answer: I'm not sure. The longer answer, according to my late Mom: Thanksgiving was when she dressed up and went door-to-door; Halloween was for mischief-making, such as chalking people's doors and clouting them with the infamous flour-filled socks. She did not specify whether one dressed up for the mischief making. So, please tell us, anyone who remembers -- did kids dress up on both days?]
And now, for all of us Anything f’Thanksgiving fans, Mr. Robert Martens has shared a remarkable treat — 1940s home movie footage taken by his grandfather, Gus, in College Point, Queens.
Be sure to read Mr. Martens’ accompanying description to his video, where he describes his family’s memories of the tradition in greater detail. He thinks Anything f’Thanksgiving might have died out because city residents who had survived the Great Depression became understandably allergic to the idea of their children dressing up as beggars and seeking treats door to door. I think the ways mass media smoothed out and homogenized pop culture after World War II didn’t do the custom any favors, either.
But whatever your theory, it seems clear that the ragamuffins of Thanksgiving went away sometime in the 1950s, so this crystal-clear footage is now a precious reminder of lost era.
Happy trick-or-treating, whenever you do it.
A Google maps tour of old Red Hook, by Adrienne Onofri.
This map includes sites where lived Brooklynites who served in World War II, along with historic landmarks and just a lot of interesting information about how the neighborhood evolved. So wonderful that someone took the time to do this; it’s already answered a question or two I have about some Red Hook places.
Also, since it’s Wednesday (Hump Day) and all, I thought I’d give you something else that always makes me so happy: the final scenes of the 1982 movie My Favorite Year. I never tire of the touching performance by Peter O’Toole as an over-the-hill matinee idol doing a guest turn on a live-television variety hour.
And my mother always said it was a spot-on portrait of early-1950s New York City.